© 2011 Bullock Designs. Photography by dM Bullock.
To pay the bills, one needs to be an artist like David Michael Bullock. The York County man is a freelance graphic designer. Bullock’s roots and initial training, however, were in the more traditional fine-arts realm. “My favorite book as a child was Gray’s Anatomy,” he says. “I wanted to be a medical illustrator.” Family members were astonished by his disfiguring of toy soldiers, and then covering them in red paint to produce more realistic combat scenes.
Later, guidance from teachers, along with self study, expanded his visions to less sanguinary subjects like still life and landscapes. Nevertheless, Bullock’s fascination with the human body endured and is represented by various graphite tissue and skeletal studies that are displayed in his studio.
The graphite work is not limited to anatomy. Thoughtful perusal of his interiors and figure efforts betrays specific historical influences. “My favorite artists are Da Vinci, Escher and Rockwell,” he says. Other mediums in which Bullock dabbles are acrylics and oils, the latter tending toward abstract imagery.
Neatly presented in his basement work space are three-dimensional comic book figures. “They’re made from a combination of plaster of Paris for the initial figure mold, Mold Builder, liquid latex rubber and latex mask paint,” he explains. Garments, weapons, headgear and other details complete the forms. “I worked with film as an intern. So, I got to work with a lot of special make-up effects, and that interest has continued in these figures.”
"The vast majority of my software learning came from self motivation. And that can be frustrating at times because software applications and computers are always being upgraded. In more traditional art, the tools and materials change little over the years.”
But, of course, Bullock’s primary vocation is graphic design. His technical skills, most of them self-taught, are the foundation for his commercial success. “When I graduated from the Bradley Academy of Art [now the Art Institute of York] in 1998, the school had one computer lab,” he says. “Since then, I have attended several workshops, software training classes and seminars. The vast majority of my software learning came from self motivation. And that can be frustrating at times because software applications and computers are always being upgraded. In more traditional art, the tools and materials change little over the years.”
Bullock continues his education, currently enrolled in accredited online courses. Future plans include photography instruction at Maine Media Workshops in Rockport to, as he declares, “broaden my horizons of diversity as an artist.”
He is certified in Adobe Photoshop and Illustrator, and fully proficient in Dreamweaver, Fireworks, QuarkXPress and InDesign. His extensive knowledge of social networking (Typepad, Twitter, Facebook, e.g.) makes him the ideal partner for any graphic project.
“I love book design,” says Bullock. He pulls up files for a current assignment, a book entitled Yes Spaces by a client in Oregon. “It’s about parents designing interior spaces with their children…home design that nurtures their nature,” he says. “The author sends me the pages, many of which have photos. I color correct, Photoshop, and perform other tasks.”
Representing another facet of his design service are Bullock’s promo videos, one of which was created for photographer Alan Wycheck, a frequent contributor to Harrisburg Magazine.
After graduating from AI York with a strong portfolio and honors, Bullock landed his first job as an Art Director for Susquehanna Direct, a full-service advertising agency in Harrisburg. After six successful years, he decided it was time for a change and went the freelance route in 2004.
by Scott Campbell
Harrisburg Magazine (717 Magazine) - Sept. 2011
Final Phase of Shun'd Production Poster. Rough comp outline and color treatment. Created using Adobe Illustrator (CS5). Powerful program! I wanted to push it to the limit with lighting and various effects.
© 2011 David Bullock | Bullock Designs | Shun Town
Once a well regarded veteran in the armed forces, A. Vincent Shun has been accused of several heinous crimes. Crimes that have left his hometown of Anchorage, Alaska in disarray. Shun flees his hometown, leaving law enforcement puzzled on his whereabouts.
On the run, Shun stumbles upon a small deserted town near the Kennecott Mines1. Kennecott was a prosperous mining community in the early 1900’s, now deserted and filled with old dilapidated buildings. Shun takes shelter in an abandoned mining structure trying to regroup and escape thoughts and visions that plague him. An overwhelming feeling of isolation takes a toll on Shun’s mental state. Snow blankets the roadways, hills, and fallen structures. The horrible weather hindered anyone from entering or leaving the town.
Shun later finds himself unable to escape the storm, let alone his disturbing thoughts. Solitude has become troubling, as uncontrollable thoughts and ideas come to fruition. Inner demons are born from his subconscious and enter a conscious state. Demons are actualized and roam about the town, searching for their creator.
The town becomes a stage and Shun becomes a marionette controlled by his demonic creations. Only Shun can cut the strings to his subconscious and escape what has been plaguing him. Will he battle his way from the insane world he created or succumb to his own madness?
© 2010-2011 David M. Bullock | Bullock Designs | Shun Town